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Velvet Revolver Live + Songs:
LOS ANGELES — Not only was Velvet Revolver's debut performance
more visceral, more pummeling and more hypercharged than
even the most devoted Stone Temple Pilots or Guns N' Roses
fan could have expected, but there was evidence of genuine
personal chemistry — as opposed to a convenient partnership
designed to boost mutually unstable careers — between
the band's key players.
Specifically, it was the moment when Slash affectionately
laid his head on Scott Weiland's shoulder that seemed
to drive the point of the evening home: The former "Project"
is officially a real band.
The new group's short set at the El Rey Theatre on Thursday
night, taken in by an energetic crowd that included Dave
Grohl, Vincent Gallo, Shane West, David Spade, No Doubt's
Tony Kanal and "Hulk" director Ang Lee as well
as some lucky fans, kicked off with a sped-up and chunky
cover of the Sex Pistols classic "Bodies," which
led directly into the band's "Hulk" soundtrack
single, "Set Me Free."
In spite of their veteran résumés and well
chronicled battles with various substances, the bandmembers
— Weiland, Slash, the former GN'R rhythm section of Duff
McKagan (bass) and Matt Sorum (drums) and McKagan's onetime
Loaded partner/ ex-Wasted Youth guitarist Dave Kushner
— appeared every bit as youthful and muscular as their
set sounded, with all of them winding up shirtless by
the end of the evening.
Weiland promised a couple of "presents" before
the show began, and the group delivered, launching into
STP's "Sex Type Thing" as if Slash wrote the
riff himself, and following up with the Appetite for Destruction
track "It's So Easy," an appropriate choice
for Weiland's vocal range. The addition of his trademark
bullhorn added a surreal element to the proceedings.
The band next laid into another original track — the
moody, grooving and understandably STP-like "Slither,"
before exiting the stage, only to return to encore with
Nirvana's "Negative Creep," a track so beefy
in this setting that it almost sounded like a death metal
song. As the band clobbered its way through the track,
Weiland dove into the crowd several times, peppering the
tune as he had the entire set with his well-known arachnidlike
crouching, trippy dancing and waving arms.
Velvet Revolver's performance was preceded by a short
press conference where the band outlined its plans for
the next few months, made light of its long search for
a suitable frontman and downplayed its troubled new singer's
recent arrest.
"What happened to Scott Weiland a few weeks ago,
it really could happen to any one of us," Duff said.
Then he added, "It has happened to all of us."
Sorum said he and his bandmates listened to more than
500 CDs, but when Scott walked in they immediately knew
he was the guy. After the press conference, Weiland revealed
that he was nine songs into a second solo album before
he joined Velvet Revolver and referred to what appears
to be the final dissolution of his former group as merely
a "very, very" long hiatus.
"Everything [else] is pretty much on hold now,"
he said. "I know that there is talk about a greatest-hits
album for STP, but I don't know anything about it really,
because my heart and soul is into Velvet Revolver right
now. ... We were in the middle of our set [at sound check]
and I just kind of went over to those guys and went, 'I
feel like we've been on tour for about a year now.' The
chemistry's there. It's a band."
"The chemistry is perfect," offered Slash.
"It just fits. It's like all of a sudden we are just
us, all five of us, and it just happened like that."
"And we really bonded as friends, as brothers, in
a relatively short time," Duff chimed in.
"Duff, Dave [and I] spent a month together in the
mountains in Washington in a secluded area, just recently,"
Scott said, "so we've gotten to know each other pretty
intimately."
Velvet Revolver are currently sorting through close to
50 songs (around 10 of which were written with original
GN'R axeman Izzy Stradlin) for their debut album, which,
Weiland's legal hassles notwithstanding, they hope to
release by Christmas. In addition to "Set Me Free"
and "Slither," Weiland said he's written vocals
for around four more of the band's instrumental tunes
so far. They're still looking for a producer and they'll
probably record the album on their own before bothering
with a record deal. For now, it's back to the practice
room, where Weiland said Velvet Revolver have been writing
and rehearsing every single day.
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